Skip to main content

Ozone - the feeling of on top of the world

The Ritz Carlton opened a few weeks ago with a lot of press coverage and fanfare. So I just had to check it out - so I hooked up with a friend for a few drinks and some bar snacks at Ozone.

Having navigated through Elements (shopping mall) to the entrance of the hotel (9th floor), the lift then took me to the opulent hotel lobby on 103th floor. The last time I went above 100th floor anywhere was to go to Window on the World at the World Trade Center in New York: that was a while back. Having been screened by the staff that I was suitably dressed (shirt with sleeves, shoes, trousers), I boarded the lift that took me to Ozone on the 118th floor.

The view was amazing. At that height, I was looking down onto the 88th storey talll IFC across the harbour. The Peninsula looked like a little stump on the waterfront of Kowloon. It was also to see over Magazine Gap onto the south side of Hong Kong Island and beyond - a vista that I have not come across before. Fabulous.

The drink and snack menu at Ozone was respectable. The choice of caviar and oysters was clearly aimed at those with deep pockets (though why would anyone serve European oysters in a month without an 'r'?) The wine list was, as expected, comprehensive. The "by the glass" list was not too bad - somewhat biased towards Italian and Australian. My Ruinart blanc de blanc was delicious. The viognier wasn't bad either.

I sampled a few things. The crab balls (pictured below) were quite delicious. The Granny Smith apple with Jamon Iberico wasn't bad either. The ambiance of the place was slightly strange - an uncomfortable mix between an observation desk and a swanky bar. The dress code certainly helped contain the strays from the streets, but not enough to attract the "right" crowd. It will probably take a while for Ozone to find its place in this Mega Rich City.

Comments

Popular posts from this blog

Gothenburg Symphony Orchestra, Royal Festival Hall

It was billed as a "Warm Up Event". But I think it was to do with contracts signed prior to the discovery of asbestos at the Royal Festival Hall which added six months to the renovation programme. Gustavo Dudamel conducted the Gothenburg Symphony Orchestra in Strauss Four Last Songs and Mahler 5th. The band made a good sound tough the upper strings were a bit subdue (or was it the Hall?) The Four Last Songs were a bit fast to my liking - and it was only Beim Schlafengehen where I felt the tempo was right. Measha Brueggergosman sang relatively well, though her BIG HAIR was in the way of the sound projection. Mahler 5th was thunderous and supple at the same time - the latter much helped by the strong viola and lower string section. It was exciting and forward but could do with a bit more rubati. Otherwise it was an enjoyable evening out at this much loved venue.

La Voix Humaine, Glyndebourne

Stéphanie d’Oustrac starred in this one act / single cast Poulenc opera. The minimalist stage (Caroline Ginet) consisted of a tilting platform with an old fashioned dial telephone. But that's all it took for the drama to unfold. d’Oustrac was able to draw us into her conversation, expressing the challenging feelings of frustration, anxiety, disappointment and dare we say hope? A superb performance it was.

Bruckner 8, Andris Nelsons and the Leipzig Gewandhaus Orchestra

Bruckner 8 Symphony was a gigantic piece of symphonic writing. What better to hear a mature and thoughtful Andris Nelsons conducting the Leipzig Gewandhaus Orchestra? The slow measured start gave rise to the hallmark relentlessness of the later Bruckner symphonies. Nelsons brought out the rising and falling phrases, and ensured the episodic chunks together form a coherent whole. The scherzo second movement was precise and at pace. Feierlich langsam (3rd movement) was subtle, mournful with a glimmer of light. The masculine sound for the brass section delivered a memorable finale