It says "The Fifth Performance at the Royal Opera House". Didn't get to see it on the first night, but managed to enjoy Written on Skin nonetheless. And I do mean enjoy. Opera goers are often too stuck in their ways with the canonic works - Tosca, Carmen, Figaro, etc. So it's a real treat to see something new. The set by Vicki Mortimer was great - there was lots of details portraying the 'period' of the story, while bringing the singers "in and out" of the period. Very well lit by Jon Clark. As for the music and libretto, it was most intriguing. It took me a while to gang the hang of the phrases being sung in first and third person terms. Somehow it got me listening harder, thinking harder, and being drawn into the drama. George Benjamin's music felt very much an integral part of the work, very well crafted, and approachable too. I think it made a real difference with him conducting his own work too.
Very short diary entries of operas, concerts, exhibitions, restaurants and other lifestyle stuff in London and beyond.