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Showing posts from May, 2019

Billy Budd at the Royal Opera

This was a new production of Britten Billy Budd. It was last staged at the Royal Opera before the turn of the millennium.



Billy Budd was sung by Jacques Imbrailo who portrayed a playful and naive youth well. His voice was in character, though seemed a little tired towards the end. Toby Spence gave us a nuanced and at times helpless Captain Vere. Brindley Sherratt's portrayal of Claggart was subtle, and his verminous streak really came out in the confrontation with Budd. Donald was sung by a muscular Duncan Rock.

Michael Levine's three dimensional set did the job, though the nautical theme relied heavily on the  20th century Royal Navy uniform. Ivor Bolton's reading of Britten's rich score was good - I loved the drums coming from the boxes during the battle scene. Let's hope they bring this great work back sooner.

All My Sons at The Old Vic

Got an unexpected chance to see this Arthur Miller play at The Old Vic with a starry cast. The play is set on a simple but detailed stage. All action evolved around the backyard of this simple house.



The first half of the play was slow. I thought the clues about the events to come were either too subtle, or too hidden. Either way, it took a long time for the audience to begin to realise something darker and complex was to come. Still, it took a while to get there.

The second half, on the other hand, moved much more quickly with greater dramatic effect. The best was probably the clash between Bill Pullman (who played Joe Keller) and Colin Morgan (his son Chris Keller). Colin Morgan's about turn from a love-struck puppy to a vengeful grown up was powerfully delivered. Jenna Coleman (played Chris Keller's love interest Ann Deever) and Sally Field (played Kate Keller) drew out the more emotionally torturous plot.

Was the "price of the American Dreram" laid bare? Not sur…