Der Rosenkavalier at the Royal Opera

I was super excited to see Der Rosenkavalier at Royal Opera with Renée Fleming in one of her finest roles as Marschallin. And it didn't disappoint. The super energetic Andris Nelsons plough into the opening bars with such intense energy so to make the post coital scene at the opening so tender. Alice Coote's interpretation of Octavian had that adolescent quality that somehow worked (though at times it bordered on tomboy-ish). Matthew Rose was a gigantic Ochs on stage - his less sophisticated Viennese German (as intended by von Hofmannsthal) sometimes got lost as the tempo quickened. Sophie Bevan, as Sophie (!) was on fine form and sang with a beautiful innocent sheen.

Andris Nelsons lured the entire audience into the climax of the opera - you could hear a pin drop - when Fleming started ‘Hab mir’s gelobt’ - the pacing, the effortlessness, the meaning and the beauty of her voice. The others joined in with intense intertwining and soaring lines - oh my it was to die for!

The production and set design worked most of the time. The farce in the last act was sufficiently farcical, except the very end with the return of those arm dealers (von Faninal was a arms dealing family in the opera).

There was a very good rapport between Andris Nelsons and the orchestra. While there were the occasional slips in the strings section, it was more a case of the players taking risks and going with the Nelsons' tempi so to deliver a super performance.

Comments

Hearing the Berlin Philharmonic at the Philharmonie

Those of us London-centric folks easily forget there are great concert halls in other parts of the world. I remember as a young kid buying DG LPs with von Karajan on the front cover conducting the Berlin Philharmonic. So as my first visit to the city, a visit to the Philharmonie to listen to the Berlin Philharmonic Orchestra was a must. Ivan Fisher started the evening's concert with Haydn Symphony 88. A light and delightful work. As I'd expected, the acoustic of the hall was amazing - probably a good 2.5 second of reverberation - and much more generous than the Royal Festival Hall in London. The strings sounded sweet and the timpani came through clearly with definition. The audience was then treated to Béla Bartók's Seven Pieces for Choir and Chamber Orchestra: the Berlin Phil reduced in size occupying only half of the stage while the Netherlands Youth Choir took the other half. These young performers (all female) sang in Hungarian from memory - not easy at all - and rea...

The Westin, Shanghai (上海)

It's only 5 minute's from The Bund (外灘) and a relatively new hotel, The Westin Shanghai ought to be a fantastic place for both business and pleasure. Quite a few tourist guides have also rated this highly. It took me about two days to work out why I never warmed to it. The reason? The sense of proportion is erratic across the entire hotel - some corridors are too narrow, beds too close to the wall (even though I was in a mini-suite), some staircases have irregular steps, etc. The list goes on. What was enjoyable? The location. One could stroll down to The Bund for dinner, drinks or the view. The staff are nice too - always trying to help. What was not enjoyable? Where shall we begin - the fake palm trees, the tightly spaced cafe, the finishing touches, etc.

Liechtenstein Museum, Vienna

One can certainly Over Do art in Vienna. The beauty of the Liechtenstein Museum is its fine collection of paintings and architectural features within a manageable space. The building had been lovingly refurbished while the art works and exhibits were beautifully presented. Like Galleria Borghese in Rome, one can spend a leisurely morning strolling through the library and rooms without feeling pressured (unlike Musée du Louvre ). If you have time, enjoy a cup of cafe melange in the court yard.

Diary of a Culture Hedonist

Search This Blog