Well, it was the same production with set designed by Christian Fenouillat. Levente Molnár's Figaro was ok. Bruno Praticò made a convincing Doctore Bartolo. The real star in this revival had to be Aleksandra Kurzak as Rosina. Her stage presence and vocal colours easily overshadowed everyone else on stage.
Very short diary entries of operas, concerts, exhibitions, restaurants and other lifestyle stuff in London and beyond.