Skip to main content

Hix on Brewer Street - worth it?

Went to Hix on Brewer Street last night for dinner. Not impressed.

We were made to wait an extra 20 minutes for our table in the bar
downstairs which was dark and loud. The cocktail list was interesting -
but the lighting condition didn't encourage reading nor exploration. The main
restaurant was overwhelmingly noisy - a harsh nosiness rather than
buzzy noisy. The waiting staff was slightly disorganised.

As a starter, I had the battered monk fish cheeks. It sounded good on the menu. I have eaten many fish cheeks before and they definitely were not cheeks - more like medallion of monk fish fillets. The tartar sauce was nice though. My venison salad was disappointing - served in a wooden bowl (why?) the venison was tough and bordering flavourless.  The beetroot chunks were good though. Desserts improved somewhat - I had a taste of my friends' chocolate tart and Bakewell pudding which were both rich and decadent.

So I cannot understand what the fuzz is about this place. Perhaps there is no fuzz - just good marketing and PR. There are plenty of decent eating places in Soho and I don't think I will be returning to Hix anytime soon.



Labels:

Comments

Post a Comment

Popular posts from this blog

Gothenburg Symphony Orchestra, Royal Festival Hall

It was billed as a "Warm Up Event". But I think it was to do with contracts signed prior to the discovery of asbestos at the Royal Festival Hall which added six months to the renovation programme. Gustavo Dudamel conducted the Gothenburg Symphony Orchestra in Strauss Four Last Songs and Mahler 5th. The band made a good sound tough the upper strings were a bit subdue (or was it the Hall?) The Four Last Songs were a bit fast to my liking - and it was only Beim Schlafengehen where I felt the tempo was right. Measha Brueggergosman sang relatively well, though her BIG HAIR was in the way of the sound projection. Mahler 5th was thunderous and supple at the same time - the latter much helped by the strong viola and lower string section. It was exciting and forward but could do with a bit more rubati. Otherwise it was an enjoyable evening out at this much loved venue.
Post a Comment
Read more

La Voix Humaine, Glyndebourne

Stéphanie d’Oustrac starred in this one act / single cast Poulenc opera. The minimalist stage (Caroline Ginet) consisted of a tilting platform with an old fashioned dial telephone. But that's all it took for the drama to unfold. d’Oustrac was able to draw us into her conversation, expressing the challenging feelings of frustration, anxiety, disappointment and dare we say hope? A superb performance it was.
Post a Comment
Read more

Bruckner 8, Andris Nelsons and the Leipzig Gewandhaus Orchestra

Bruckner 8 Symphony was a gigantic piece of symphonic writing. What better to hear a mature and thoughtful Andris Nelsons conducting the Leipzig Gewandhaus Orchestra? The slow measured start gave rise to the hallmark relentlessness of the later Bruckner symphonies. Nelsons brought out the rising and falling phrases, and ensured the episodic chunks together form a coherent whole. The scherzo second movement was precise and at pace. Feierlich langsam (3rd movement) was subtle, mournful with a glimmer of light. The masculine sound for the brass section delivered a memorable finale
Post a Comment
Read more