A punchy Aida at the Royal Opera

After the last not so successful Aida at the Royal Opera (the night I went, someone in the audience shouted "get on with the bloody singing" during some mannerist movements on stage), there was much anticipation of David McVicar's production of this Verdi masterpiece. The stage design (by Jean-Marc Puissant) had a dark, industrial and gritty look. The 3-d elements were creatively used to give the stage interest without being intrusive.
Micaela Carosi (as Aida) had a powerful voice and delivered some good acting. Amneris (Marianne Cornetti) had the right kind of highly strung and gutsy voice. The decidedly-chubby Marcelo Álvarez sang a decent Radames - though his opening aria Celeste Aida could have been sung with greater sensitive and observance of the morendo marking at the end would not go amiss. There were lots of people on stage, but my guess was that less than half were singers (there were acrobats, lots of dancers, some muscle-bods) - so while the Royal Opera chorus came out strong, the sound lacked that big chorus feel.

Nicola Luisotti (conductor) didn't hang about in the pit: the tempi were very progressive which made this potentially long and stogy opera exciting and punch.

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Hearing the Berlin Philharmonic at the Philharmonie

Those of us London-centric folks easily forget there are great concert halls in other parts of the world. I remember as a young kid buying DG LPs with von Karajan on the front cover conducting the Berlin Philharmonic. So as my first visit to the city, a visit to the Philharmonie to listen to the Berlin Philharmonic Orchestra was a must. Ivan Fisher started the evening's concert with Haydn Symphony 88. A light and delightful work. As I'd expected, the acoustic of the hall was amazing - probably a good 2.5 second of reverberation - and much more generous than the Royal Festival Hall in London. The strings sounded sweet and the timpani came through clearly with definition. The audience was then treated to Béla Bartók's Seven Pieces for Choir and Chamber Orchestra: the Berlin Phil reduced in size occupying only half of the stage while the Netherlands Youth Choir took the other half. These young performers (all female) sang in Hungarian from memory - not easy at all - and rea...

The Westin, Shanghai (上海)

It's only 5 minute's from The Bund (外灘) and a relatively new hotel, The Westin Shanghai ought to be a fantastic place for both business and pleasure. Quite a few tourist guides have also rated this highly. It took me about two days to work out why I never warmed to it. The reason? The sense of proportion is erratic across the entire hotel - some corridors are too narrow, beds too close to the wall (even though I was in a mini-suite), some staircases have irregular steps, etc. The list goes on. What was enjoyable? The location. One could stroll down to The Bund for dinner, drinks or the view. The staff are nice too - always trying to help. What was not enjoyable? Where shall we begin - the fake palm trees, the tightly spaced cafe, the finishing touches, etc.

Liechtenstein Museum, Vienna

One can certainly Over Do art in Vienna. The beauty of the Liechtenstein Museum is its fine collection of paintings and architectural features within a manageable space. The building had been lovingly refurbished while the art works and exhibits were beautifully presented. Like Galleria Borghese in Rome, one can spend a leisurely morning strolling through the library and rooms without feeling pressured (unlike Musée du Louvre ). If you have time, enjoy a cup of cafe melange in the court yard.

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