I did not think much of the last Eugene Onegin in the 90s - a bit too baren - too literal. The latest production which I saw tonight at the Royal Opera has improved quite a lot. For a start, we had Dmitri Hvorostovksy and Amanda Roocroft singing Onegin and Tatyana respectively - two strong well matched voices that sparked off a reasonable amount of passion between the two! The production was exciting too - with a believably real "river" running on stage. It's not often you get Tatyana jumping into the river and splashing about on stage. Then there was the frozen river with Moscow in the background - there was almost real ice skating on stage just before the Imperial Ball scene. Much fun. Very enjoyable.
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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