Longrain is a short trot away from the Sydney CBD, and it's well worth the journey. Its long shape dining room is matched by long rectangular tables and benches with a long bar and seating area. When I walked in, I was surrounded by the smell of decent Asian cooking.
Recognising my singularity, the waiting staff helpfully recommended a few dishes for me to sample - deep friend soft shell crab on a bed of green papaya, slow roast beef shin and diced prawns on bental leaves. The Red Dragon cocktail (chili, coriander, cranberry juice, vodka) went very well with the whole meal. I finished it off with a scoop of their very aromatic coconut sorbet.
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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