Longrain is a short trot away from the Sydney CBD, and it's well worth the journey. Its long shape dining room is matched by long rectangular tables and benches with a long bar and seating area. When I walked in, I was surrounded by the smell of decent Asian cooking.
Recognising my singularity, the waiting staff helpfully recommended a few dishes for me to sample - deep friend soft shell crab on a bed of green papaya, slow roast beef shin and diced prawns on bental leaves. The Red Dragon cocktail (chili, coriander, cranberry juice, vodka) went very well with the whole meal. I finished it off with a scoop of their very aromatic coconut sorbet.
Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique started this BBC Proms concert with Le corsaire - it was tightly played and a sonorous sound. I wonder whether this was due to the whole orchestra standing up while playing had anything to do with it. It sounded good.
Joyce DiDonato first sang La mort de Cléopâtre - her performance was mesmerising due to her dramatic delivery of text and the wonderful lines. Sir John was ever sensitive to the flow of the music. Dido’s death scene was short, yet no less powerful with DiDonata's breadth of emotions. Some may moan about her over dramatic delivery at the expense of pitch accuracy - but that's just nitpicking.
The second half of the concert was Harold in Italy - a whimsical and eclectic piece that's interesting to listen to - but I wonder whether this should have been played in the 1st half of the concert.
Joyce DiDonato first sang La mort de Cléopâtre - her performance was mesmerising due to her dramatic delivery of text and the wonderful lines. Sir John was ever sensitive to the flow of the music. Dido’s death scene was short, yet no less powerful with DiDonata's breadth of emotions. Some may moan about her over dramatic delivery at the expense of pitch accuracy - but that's just nitpicking.
The second half of the concert was Harold in Italy - a whimsical and eclectic piece that's interesting to listen to - but I wonder whether this should have been played in the 1st half of the concert.
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