Britten is not renowned for his comedies (Wagner being the other one), so I was a wee bit skeptical about Glyndebourne's new production of Albert Herring - a comic story about a May King?
The production turned out to be great - the set and costume gave a realistic portrayal of an English household, the corner shop and the village fayre. Allan Clayton sang a believable Albert Herring (probably would make a good Billy Budd). Gwynne Geyer was a fabulously bossy Lady Billows. The LPO "chamber group" delivered an intimate and dynamic sound. Gérard Korsten brought the whole team together. It was, surprisingly, a fun evening out.
This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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