What a change from La Calisto last night: Puccini's lush score and lyrical writing for La Fanciulla del West was made for the grand stage at the Royal Opera. José Cura once again assumed the role of Dick Johnson with much gusto and masculinity. Eva-Maria Westbroek's Minnie was not bad, though at times she lacked power in the middle register and was overwhelmed by the fat sound from the pit. Pappano as usual did a fine job pacing the action and milking those tear jerking moments (especially in Act III).
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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