It's always special going to a first night - well in this case first afternoon performance of the new production of Billy Budd at Glyndebourne. John Mark Ainsley as Captain Vere was centre stage and spot-lit at the opening - accompanied by a beautiful yet ethereal sound from the pit. After the prologue the set transformed with the ship deck emerging from rear-stage. This set, designed by Christopher Oram, remained on stage throughout - and many nautical devices (ropes, rigs, etc.) were used by the singers and actors to convey a sense of action-on-deck. Jacques Imbrailo, as Billy Budd, had the quintessential innocent and youthful quality. Master-of-Arms Clggart was sung by Phillip Ens who gave it plenty of vindictiveness: shades of Iago emerged during his monologue towards the end of Act 1. The Glyndebourne chorus was splendidly masculine. Michael Grandage, making his operatic debut, did the job well - the acting and movements were great. The lighting, by Paule Constable, was goo...