The story line was ok. The production? It was ok. Didn't quite get the glass-casing of Scott and Elena. But with an all-star cast, Royal Opera's production of La Donna del Lago delivered all the vocal pyrotechnic that made the effort worthwhile. One moment we were treated to Joyce DiDonato's (Elena) amazingly well controlled collatura, the next moment it was Juan Diego Flórez's super lyrical lines. Daniela Barcellona was fantastic Malcom with a rich and fruity tone.
Those of us London-centric folks easily forget there are great concert halls in other parts of the world. I remember as a young kid buying DG LPs with von Karajan on the front cover conducting the Berlin Philharmonic. So as my first visit to the city, a visit to the Philharmonie to listen to the Berlin Philharmonic Orchestra was a must. Ivan Fisher started the evening's concert with Haydn Symphony 88. A light and delightful work. As I'd expected, the acoustic of the hall was amazing - probably a good 2.5 second of reverberation - and much more generous than the Royal Festival Hall in London. The strings sounded sweet and the timpani came through clearly with definition. The audience was then treated to Béla Bartók's Seven Pieces for Choir and Chamber Orchestra: the Berlin Phil reduced in size occupying only half of the stage while the Netherlands Youth Choir took the other half. These young performers (all female) sang in Hungarian from memory - not easy at all - and rea...
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