There is so much music in Salome, it was a wonderful to hear all the details in concert. Donald Runnicles conducted the fine Deutsche Oper Berlin (did they bring all those big drums with them?) Nina Stemme was a poised Salome: from being a more hesitant, almost innocent girl to an intense monster in the space of just 90 minutest. Her final monologue was stupendous. Burkhard Ulrich was super as Herod - every line and nuance was believable.

This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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