The singers: Franco Fagioli as Idamante was pretty good - full of drama. Matthew Polenzani was a profound Idomeneo. And under the baton of Marc Minkowski, this Mozart set piece came to life musically. As for the production, I wasn't convinced by Annette Murschetz's set design, nor Martin Kušej's direction (the whole Nepture / Wedding scene just didn't work). Next.
I did not think much of the last Eugene Onegin in the 90s - a bit too baren - too literal. The latest production which I saw tonight at the Royal Opera has improved quite a lot. For a start, we had Dmitri Hvorostovksy and Amanda Roocroft singing Onegin and Tatyana respectively - two strong well matched voices that sparked off a reasonable amount of passion between the two! The production was exciting too - with a believably real "river" running on stage. It's not often you get Tatyana jumping into the river and splashing about on stage. Then there was the frozen river with Moscow in the background - there was almost real ice skating on stage just before the Imperial Ball scene. Much fun. Very enjoyable.
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