Skip to main content

The triple bill opened with Tread Softly set to Gustav Mahler's arrangement of Schubert's String Quartet in D minor. The choreography was wonderfully fluid yet structured. The movements also had a acrobatic quality to it that was breathtaking. Sadly the final 3 minutes was interrupted by a power cut which the company had to re-start at a climatic point.




The second item was the much loved Carnival of the Animals (Saint-Saëns). Rather than recreating the "animals", the dancers expressed animal movements in a fun and human way. The cuckoo was particularly cute. The penultimate number, The Swan, was done with much elegance and grace yet without pretending to be a swan. The kids must have loved it in the afternoon matinee.

Julian Anderson wrote the music for the last item in the programme - titled The Comedy of Change. The work opened with silence as the larvae were hatching (the dancers were encased in cocoons), followed by a primordial sound world. The whole dance was a lot of fun to watch - lots of randomness. All in all a fun (hence the title) work to experience.



Comments

Popular posts from this blog

Gothenburg Symphony Orchestra, Royal Festival Hall

It was billed as a "Warm Up Event". But I think it was to do with contracts signed prior to the discovery of asbestos at the Royal Festival Hall which added six months to the renovation programme. Gustavo Dudamel conducted the Gothenburg Symphony Orchestra in Strauss Four Last Songs and Mahler 5th. The band made a good sound tough the upper strings were a bit subdue (or was it the Hall?) The Four Last Songs were a bit fast to my liking - and it was only Beim Schlafengehen where I felt the tempo was right. Measha Brueggergosman sang relatively well, though her BIG HAIR was in the way of the sound projection. Mahler 5th was thunderous and supple at the same time - the latter much helped by the strong viola and lower string section. It was exciting and forward but could do with a bit more rubati. Otherwise it was an enjoyable evening out at this much loved venue.

La Voix Humaine, Glyndebourne

Stéphanie d’Oustrac starred in this one act / single cast Poulenc opera. The minimalist stage (Caroline Ginet) consisted of a tilting platform with an old fashioned dial telephone. But that's all it took for the drama to unfold. d’Oustrac was able to draw us into her conversation, expressing the challenging feelings of frustration, anxiety, disappointment and dare we say hope? A superb performance it was.

L'atelier de Joel Robuchon, London

The restaurant is one week old, but Joel Robuchon's latest venture L'atelier in Covent Garden already feels like an institution. My fellow diners felt at home and lively conversations could be heard around us. Effectively combining the eating styles of Japanese Sushi bar, Spanish tapas and French haute cuisine could be a tall order. Yet L'atelier has risen to the challenge. The Menu Découverture turned out to be an exciting and balanced menu - and one has to give them credit for serving this 7 course meal in 90 minutes without feeling rushed. What was enjoyable? Everything was lovely, but particularly the Scottish scallops - just lightly cooked and dressed in seaweed scented butter. What was not enjoyable? Worry about the rest of London descending to West Street.