After La Belle Hélène at the ENO, we found ourselves in a new Sichuanese restaurant in Soho (north of Shaftesbury Avenue so technically not China Town). The deco is authentically Chinese but a bit cramped. Lots of small wooden tables. We were shown downstairs in a small basement room. I ordered Dan Dan noodles, beef in a spicy soupy sauce and smoked chicken slices. The "heatiness" or "spicyness" was very authentic, comparable to what I have tasted in Shanghai.
What was enjoyable? Authentic Sichuanese food authenticated by mainland Chinese customers.
What was not enjoyable? Wrong kind of noise - the staff did through the crockery and cutlery about, noisy customers (may be because of the small room) and not an enthusiastic service.
A review of this restaurant can be found on FT.com
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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