Theo Randall (ex chef at the River Cafe) recently opened his restaurant at the newly refurbished Inter Continental Hotel at Hyde Park Corner (about time too). The restaurant has a Milanese chic with well spaced tables and Frette table linen.
The food? The simple dishes are done well - spinash with olives, pan
fried squid. Avoid the complicated ones - my Panna Cotta was a weird
grappa flavoured wobbly blob (which resembled a silicone breast
implant, though I have been told they don't wobble) with
not-sweet-enough Chestnut paste.
What was enjoyable? Spacious environment. Not hurried service and genuinely good natured staff. Good simple dishes.
What was not enjoyable? The more complicated dishes - Italian food is about simple dishes made with superb ingredients - it's astonishing how many English chefs try to jazz up La Cucina Italiana ... with weird concoction and tastes.
Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique started this BBC Proms concert with Le corsaire - it was tightly played and a sonorous sound. I wonder whether this was due to the whole orchestra standing up while playing had anything to do with it. It sounded good.
Joyce DiDonato first sang La mort de Cléopâtre - her performance was mesmerising due to her dramatic delivery of text and the wonderful lines. Sir John was ever sensitive to the flow of the music. Dido’s death scene was short, yet no less powerful with DiDonata's breadth of emotions. Some may moan about her over dramatic delivery at the expense of pitch accuracy - but that's just nitpicking.
The second half of the concert was Harold in Italy - a whimsical and eclectic piece that's interesting to listen to - but I wonder whether this should have been played in the 1st half of the concert.
Joyce DiDonato first sang La mort de Cléopâtre - her performance was mesmerising due to her dramatic delivery of text and the wonderful lines. Sir John was ever sensitive to the flow of the music. Dido’s death scene was short, yet no less powerful with DiDonata's breadth of emotions. Some may moan about her over dramatic delivery at the expense of pitch accuracy - but that's just nitpicking.
The second half of the concert was Harold in Italy - a whimsical and eclectic piece that's interesting to listen to - but I wonder whether this should have been played in the 1st half of the concert.
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