I don't recall ever having been to a concert hall before it was open to the public. The Acoustic Tuning concert at the Royal Festival Hall yesterday was probably the most sought after event in London: I was lucky enough to have a ticket to sit in the newly renovated concert hall and listened to the London Philharmonic Orchestra played a variety of works - from string trio to a big fat romantic Brahms symphony. The audience was asked not to spoil it by revealing anything to the public - so I won't - but I have to say my expectations were met and am much looking forward to many more years of great concerts at this iconic venue.
This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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