I saw the first production of Stiffelio back in the early 90s when Jose Carreras came back to the opera stage singing opposite Catherine Malfitano. It was a seasonal production - Jose was pensive, emotionally torn and his voice had a rare vulnerability that made him the ideal Stiffelio. I saw Covent Garden's latest re-run of Stiffelio with Jose Cura singing the title role, Sondra Radvanovsky as Lina. Unfortunately, this was yet another shouting match - hmm, was it my hearing or every body could only sing f, ff or fff? It's the same production as before - which portrayed Protestant New World very well. However, Jose Cura's voice had just too much heroism in it to make him a believable Stiffelio. Sondra Radvanosky's voice was really not to my taste - that weird fast tremolo coupled with a limited range of facial expressions didn't do it for me. It was also my first time seeing Alastair Miles (as Jorg) with long hair!
This was the first revival of George Benjamin's Written On Skin. As with contemporary operas, familiarity goes a long way in appreciating the work. In this revival, I found Christopher Purves's The Protector powerful and moving. Barbara Hannigan, who sang Agnès, was superb. The pure and slightly eerie tone of Iestyn Davies as The Boy completed the perfect cast.
Comments
Post a Comment