Janice Watson gave a convincing portrayal of Káta Kabanova at the revival of this fantastic Royal Opera production with the swirling stage hinting at the doomed Káta. Felicity Palmer sang Marfa Ignatevna Kabanova with venom and Kurt Streit a passionate lover. Sir Charles Mackerras conducted with much gusto - while the pace of drama moved along nicely.
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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