Skip to main content

A private and intriguing dinning experience at the Krug Room, Mandarin Oriental Hong Kong

It seems most top hotels in Hong Kong can offer a private dining experience where precious guests are cocooned in a hermetically sealed environment served by attentive waiting staff. The Mandarin Oriental cannot just have any old private dining room: it has created the Krug Room which is adjacent to the "central kitchen" of the hotel where all manners of gastronomic delights are concocted right in front of us (well actually the room faces the "hot" kitchen: there is a "cold" kitchen round the corner).
080713 Krug Room DSC00004
The Krug Room offers the "expect the unexpected" menu - dishes that are created using scientific and unusual techniques, many of which had derived from Herald McGee and his followers. The classic 'blackened cod' was juicy and succulent (which incidentally is also available on the Grill Room menu). The results were a series of delightfully flavourful dishes sometimes combined with unusual textures. Let's hope more locals are able to experience this.


Labels:

Comments

Post a Comment

Popular posts from this blog

Written On Skin at the Royal Opera

This was the first revival of George Benjamin's Written On Skin. As with contemporary operas, familiarity goes a long way in appreciating the work. In this revival, I found Christopher Purves's The Protector powerful and moving. Barbara Hannigan, who sang Agnès, was superb. The pure and slightly eerie tone of Iestyn Davies as The Boy completed the perfect cast.
Post a Comment
Read more

Götterdämmerung at The Met

Carl Fillion's set design for The Ring at The Met caused a real stir at the premier. Though not having the luxury of seeing the whole Ring, I managed to get a ticket to see Götterdämmerung. Fabio Luisi at the helm of the large Met orchestra kept everything going. There was enough breathing space for the drama to unfold, and there were muscular moments that needed to punctuate the drama. Probably not as poised as Bernard Haitink at Covent Garden many years ago, or as gutsy as Antonio Pappano this season in the same house. But nonetheless very good. Deborah Voigt was a fine Brünhilde - as the role demands from beginning to end. Lars Cleveman was quite a believable Siegfried - youngish looking, jumps about, looking slightly naive on stage. Hans-Peter Köonig was OK - none of his phrases sent shiver down my spine as there was not enough evil. Back to the set. The rotating 'fingers' really worked (you can see them in this pic - sitting above the performers), especially...
Post a Comment
Read more

Hänsel und Gretel at the Royal Opera

Having  seen Hänsel und Gretel only a few months ago at Glyndebourne , I was looking forward to see how the Royal Opera will bring this fairytale opera to life. Christian Fenouillat  pastoral set worked well. Like many operas with a small cast, he added a bounding box to reduce the size of the stage without losing perspective. Angelika Kirchschlager and Diana Damrau were believable Hänsel and Gretel respectively. Their stage acting (how they walked, jumped and cuddled) conveyed a real sense of innonance. Thomas Allen (their father) was on good form. The Dew Fairy (by Anita Watson) was fabulous with an orange duster and a yellow squirty spray cleaner. All in all, the creative team managed to strike a good balance between serious opera and fairytale. Colin Davis also did real justice to Humperdinck's lush Wagnerian score. It would be nice for this lovely work to remain in repertory around this time of the year to counter-balance the sickly sweek Nutcracker.
Post a Comment
Read more