Oh my god, the dullness continued with Acis and Galatea. I was hoping the light and pastoral Handel score will brighten things up. I was so wrong. While the stage had more visual interests, the same dull playing and inanimate singers failed to bring this performance to life. The dancers continued to provide pointless distractions. It could have been so much fun, so playful, so tragic. Oh no, let's make it boring. I looked at my watch more than 3 times thinking whether I will miss Newsnight on BBC2. Though others couldn't wait till the end and walked off half way through the performance.
This was the first revival of George Benjamin's Written On Skin. As with contemporary operas, familiarity goes a long way in appreciating the work. In this revival, I found Christopher Purves's The Protector powerful and moving. Barbara Hannigan, who sang Agnès, was superb. The pure and slightly eerie tone of Iestyn Davies as The Boy completed the perfect cast.
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