Many people associate Gianni Schicchi with its melodic aria O mio babbino caro! and not giving the complex score its due respect. This being a relatively late work (after La rondine but before Turandot), the texture and rhythmic quality of the music is rich and exciting. So it was great to hear it well performed by the orchestra under the helm of Pappano. Thomas Allen, as Gianni Schicchi, really brought out the deal-maker-cum-breaker. Of course, he was supported by a strong cast of many who made this farcical work come to life.
I did not think much of the last Eugene Onegin in the 90s - a bit too baren - too literal. The latest production which I saw tonight at the Royal Opera has improved quite a lot. For a start, we had Dmitri Hvorostovksy and Amanda Roocroft singing Onegin and Tatyana respectively - two strong well matched voices that sparked off a reasonable amount of passion between the two! The production was exciting too - with a believably real "river" running on stage. It's not often you get Tatyana jumping into the river and splashing about on stage. Then there was the frozen river with Moscow in the background - there was almost real ice skating on stage just before the Imperial Ball scene. Much fun. Very enjoyable.
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