A deeply engaging Tristan und Isolde

Having seen the Glyndebourne and Royal Opera productions of Tristan und Isolde not so long ago, I was quite looking forward to a concert performance of this epic Wagner opera - one without cumbersome staging and weird stage directions. It turned out to be one of the best performances I have ever heard of this work. Gary Lehman sang Tristan with thoughtfulness and directness. His voice remained strong and composed throughout the three acts. It would be very exciting to see him as Siegfried in the near future. Violeta Urmana was absolutely fabulous - the Isolde role enabled her to show off her entire range of vocal colours and emotions. Could she be a future Brünhilde? And there was a really good rapport between them. Anne Sophie von Otter's Brangäne was also very good - especially in Act II where she sang from a Level 6 Box high above everyone else - very effective. Bill Viola's video projections were good in places, distracting in others - luckily this being a concert performance one can ignore what's
being shown above the orchestra. Esa-Pekka Salonen led the Philharmonia Orchestra with firmness and encouragement - and the players were responsive throughout. A memorable Tristan und Isolde is hard to come by, and this one will stay with me for a little while.

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The Westin, Shanghai (上海)

It's only 5 minute's from The Bund (外灘) and a relatively new hotel, The Westin Shanghai ought to be a fantastic place for both business and pleasure. Quite a few tourist guides have also rated this highly. It took me about two days to work out why I never warmed to it. The reason? The sense of proportion is erratic across the entire hotel - some corridors are too narrow, beds too close to the wall (even though I was in a mini-suite), some staircases have irregular steps, etc. The list goes on. What was enjoyable? The location. One could stroll down to The Bund for dinner, drinks or the view. The staff are nice too - always trying to help. What was not enjoyable? Where shall we begin - the fake palm trees, the tightly spaced cafe, the finishing touches, etc.

Król Roger, Royal Opera

The Polish barihunk Mariusz Kwiecień sang the title role on the first performance of Król Roger at the Royal Opera. Kwiecień's portrayal of Król Roger was subtle and involved (might have helped with him having a head cold as Kasper Holten came and told us after the interval). Pappano did full justice to Szymanowski's lush score.

Square One, Park Hyatt Saigon

OK - if you want to go somewhere sleek in Saigon - Square One will pretty much fit the bill. Rather than just one open kitchen (a la Caprice at the Four Seasons in Hong Kong), there are SEVEN! Each focusing on a particular cooking technique (grilling, baking, steaming, etc.). The decor is comfortable (armrests of armchairs too high) and the Vietnamese food is actually good and well presented. What was enjoyable? Pho Beef Soup with rice vermicelli - nice clear stock, flavourful. What was not enjoyable? Trying too hard perhaps? Everything is just a bit out of place - you could be any where - New York, London, Hong Kong ...

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