Eugene Onegin at the ENO

I was quite looking forward to see ENO's Eugene Onegin - as it's a co-production with The Met.

The first disappointment was that Toby Spence (Lensky) had lost his voice, so did his understudy. So Adrian Thompson (originally Monsieur Triquet) stepped up to sing - but from the side (second disappointment) as Toby Spence was "acting" the part on stage. So there was this bizarre situation where in Act 2 Scene 2 (Duel) we had Toby Spence "acting" opposite Audun Iversen (Onegin, not bad - but a bit wooden in his acting) and a third voice coming off stage (third disappointment).

The stage set was great (Tom Pye) and the direction (Deborah Warner) had enough details and finesse to make the whole story believable. Amanda Echalaz who sang Tatyana was on form and the letter scene was very well sung. The monologue of Prince Gremin (Brindley Sherratt) was grounded. Ed Gardner, once again, held it all together.

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Hearing the Berlin Philharmonic at the Philharmonie

Those of us London-centric folks easily forget there are great concert halls in other parts of the world. I remember as a young kid buying DG LPs with von Karajan on the front cover conducting the Berlin Philharmonic. So as my first visit to the city, a visit to the Philharmonie to listen to the Berlin Philharmonic Orchestra was a must. Ivan Fisher started the evening's concert with Haydn Symphony 88. A light and delightful work. As I'd expected, the acoustic of the hall was amazing - probably a good 2.5 second of reverberation - and much more generous than the Royal Festival Hall in London. The strings sounded sweet and the timpani came through clearly with definition. The audience was then treated to Béla Bartók's Seven Pieces for Choir and Chamber Orchestra: the Berlin Phil reduced in size occupying only half of the stage while the Netherlands Youth Choir took the other half. These young performers (all female) sang in Hungarian from memory - not easy at all - and rea...

Liechtenstein Museum, Vienna

One can certainly Over Do art in Vienna. The beauty of the Liechtenstein Museum is its fine collection of paintings and architectural features within a manageable space. The building had been lovingly refurbished while the art works and exhibits were beautifully presented. Like Galleria Borghese in Rome, one can spend a leisurely morning strolling through the library and rooms without feeling pressured (unlike Musée du Louvre ). If you have time, enjoy a cup of cafe melange in the court yard.

Król Roger, Royal Opera

The Polish barihunk Mariusz Kwiecień sang the title role on the first performance of Król Roger at the Royal Opera. Kwiecień's portrayal of Król Roger was subtle and involved (might have helped with him having a head cold as Kasper Holten came and told us after the interval). Pappano did full justice to Szymanowski's lush score.

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