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Elektra at the Royal Opera

It's the one after Salome and before Der Rosenkavalier. Elektra, for me, has always been an opera that one experiences, rather than enjoys. It's dark, yet melodic in places. There is not much character development, yet the drama moves forward.



From the sound of the first bar (and sitting close to the percussion department meant I could feel it too), it's a whirlwind of emotions. Christine Goerke was a bold yet dark Elektra with a commanding stage presence. Adrianne Pieczonka had a nice sheen on her voice which suited her role as Chrysothemis. Charles Edwards' production of Elektra remained a striking one.

The energetic Andris Nelsons maintained momentum and drive, and the somewhat exaggerated dynamics really made Strauss's score come alive. The audience held its breath until the last bar ... when all could breath easy again. Fantastic.

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