There was lots of skepticism around this very early Mozart opera (that's the one before Idomeneo). One can see why - the music is light, limited character development, and a somewhat chaotic plot. Hats off to Frederic Wake-Walker, the director who used movements and gestures to make the plot and music work. A strong cast coupled with Robin Ticciati's clear direction made the show work.

This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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