Joyce DiDonato was superlative in the title role of this Rossini number. She was poised. She had commanding presence (required for the role). And her vocal delivery was fantastic.
Arsace, sung well by Daniela Barcellona, had a bit of a tomboy look. On the first night, there were two Assur: Michele Pertusi sang the first half, but fell ill to be replaced by a shorter version in Mirco Palazzi. They both did well, but it took a bit of getting used to.
This new production by David Alden seem to have worked. The drama and dynamics played out well among the cast. The chorus / actors together helped maintain the court intrigue throughout the opera. Pappano, as ever, moved the drama along nicely.
Arsace, sung well by Daniela Barcellona, had a bit of a tomboy look. On the first night, there were two Assur: Michele Pertusi sang the first half, but fell ill to be replaced by a shorter version in Mirco Palazzi. They both did well, but it took a bit of getting used to.
This new production by David Alden seem to have worked. The drama and dynamics played out well among the cast. The chorus / actors together helped maintain the court intrigue throughout the opera. Pappano, as ever, moved the drama along nicely.
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