Hagen Quartet, Wigmore Hall

Yes, the legendary Hagen Quartet playing at the Wigmore Hall.

The Schubert String Quartet in G minor sounded rough, with problematic intonation from the first violin. The whole piece sounded like a play through. Not a good start. The playing of the Webern pieces (Five Movements / Six Bagatelles) could not be more different. They got through the grittiness and bleakness of these concise pieces with precision and poise.

The second half of the concert was Haydn String Quartet in Bb (Op 55 N 3). The playing was warm, coherent with the kind of interplay between the quartet members that one would expect. Good tempi choice. This warmth was naturally conveyed through brilliant acoustic of the hall.

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Dialogues des Carmélites at the Royal Opera

Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.

Strauss Four Last Songs and Sibelius 5 - Singapore Symphony

The evening concert started with the overture of Lohengrin. Jukka-Pekka Saraste took a poised temple and the strings of Singapore Symphony rose to the ocassion to provide that mythical sound. This probbaly was intedned to set the mood for the Four Last Songs - I guessed. Evelina Dobračeva was the star soprano. Frühling got off to a sure, if a little safe start. The best was probably Beim Schlafengehen, sung with great stillness. September and Im Abendrot felt unblanaced - Dobračeva's subtle words were somehow lost among the swell of orchestral sound. This was followed by Morgen - probbaly the best song of the evening, perhaps the very light orchestration helped. Jukka-Pekka Saraste and SSO were on surer footing with Sibelius 5. The first movement was brisk with lightness and details. The second and last movements felt cohesive, leading to the well known tune in the finale. If only there were more people in the concert hall to enjoy the music.

Aqua Nueva serving up some hot Spanish snacks in London

It's just about a month old when Aqua opened in London. And yes, it's the same Aqua as the one on No 1 Peking Road. Well, the entrance on Argyll Street makes a bit of a statement - crimson velvet decor with a sleekly dressed receptionist guiding you to the lift. When you get to the top floor, it opens out into a series of bar and dining areas. My destination was Aqua Nueva - the Spanish part of this drinking-dining complex. That meant I was guided along an atmospherically lit corridor before I got to the the restaurant. It's well lit with a terrace looking out to a roof top terrace. Unlike Aqua in Hong Kong where it has the spectacular harbour view, the London one only looks out to a roof-top view. Rather than wading through the tapas and a la carte menus, I just asked the maitre d' to bring a selection of their tapas. I was pleasant surprised by the delicate croquette of mushrooms, lightly cooked octopus, braised pork, San Pietro fillets, Manchengo topped tortilla a...

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