Skip to main content

Hansel und Gretel at the Royal Opera

On entering the auditorium, I saw a detailed and realistic image of a valley (presumably concocted from photographs of German or Austrian countryside) projected onto the stage. I had high hopes that this new production of Hansel und Gretel will have staging that relates to the story (the last time the Royal Opera staged this, a 60s trailer and a ghastly morgue were inflicted on us). I was not to be disappointed - Anthony McDonald gave us a realistic design, with the first act set in a cosy house with barren shelves. The forest scene in Act 2 was magical - there were trees, mist, forest creatures - not to mention characters from other Grimm tales during the dream sequence. Act 3 started with a innocent and inviting looking gingerbread house, but on rotation a large cauldron (presumably for turning fat children into gingerbread) was revealed!



Hansel and Gretel were sung by Hanna Hipp and Jennifer Davis respectively. They looked the part and sounded fresh - all helped to convey two mischievous youths. Eddie Wade stepped in to play Peter who delivered his part with gusto (considering he was a last minute cast change). Gerhard Siegel was hilariously good. Sebastian Weigle was in the pit delivering a lush Wagnerian soundscape while achieving good balance with the small cast on stage.

Altogether it was a lovely and magical evening at the opera.

Comments

Popular posts from this blog

Gothenburg Symphony Orchestra, Royal Festival Hall

It was billed as a "Warm Up Event". But I think it was to do with contracts signed prior to the discovery of asbestos at the Royal Festival Hall which added six months to the renovation programme. Gustavo Dudamel conducted the Gothenburg Symphony Orchestra in Strauss Four Last Songs and Mahler 5th. The band made a good sound tough the upper strings were a bit subdue (or was it the Hall?) The Four Last Songs were a bit fast to my liking - and it was only Beim Schlafengehen where I felt the tempo was right. Measha Brueggergosman sang relatively well, though her BIG HAIR was in the way of the sound projection. Mahler 5th was thunderous and supple at the same time - the latter much helped by the strong viola and lower string section. It was exciting and forward but could do with a bit more rubati. Otherwise it was an enjoyable evening out at this much loved venue.

La Voix Humaine, Glyndebourne

Stéphanie d’Oustrac starred in this one act / single cast Poulenc opera. The minimalist stage (Caroline Ginet) consisted of a tilting platform with an old fashioned dial telephone. But that's all it took for the drama to unfold. d’Oustrac was able to draw us into her conversation, expressing the challenging feelings of frustration, anxiety, disappointment and dare we say hope? A superb performance it was.

L'atelier de Joel Robuchon, London

The restaurant is one week old, but Joel Robuchon's latest venture L'atelier in Covent Garden already feels like an institution. My fellow diners felt at home and lively conversations could be heard around us. Effectively combining the eating styles of Japanese Sushi bar, Spanish tapas and French haute cuisine could be a tall order. Yet L'atelier has risen to the challenge. The Menu Découverture turned out to be an exciting and balanced menu - and one has to give them credit for serving this 7 course meal in 90 minutes without feeling rushed. What was enjoyable? Everything was lovely, but particularly the Scottish scallops - just lightly cooked and dressed in seaweed scented butter. What was not enjoyable? Worry about the rest of London descending to West Street.