The last time I saw Tosca, I was very disappointed. This is, again, a revival of the now tried-and-tested Jonathan Kent's production (revival director Andrew Sinclair). I was hoping to be entertained.
On the night I got the Latvian soprano Kristine Opolais - who was by-and-large right for the title role. There was enough drama and her voice hit all the right notes. Vissi d'arte was sensitively sung. Vittorio Grigòlo was his usual heroic self - at times his singing was a little shouty and lacking in finess. His fans loved him. Bless. Bryn Terfel brought Scarpia to live effortlessly. Unlike the other two leads, he was very much at ease with the role, with nothing to prove, and it was enjoyable to get absorbed into his character.
Alexander Joel's took a more symphonic approach to Puccini's score. There were movments when that approach worked with the drama. But there were times when the singers were being held for too long - thus losing the dramatic tension intended. Was this imposition on the singers necessary?
A more than adequate performance.
On the night I got the Latvian soprano Kristine Opolais - who was by-and-large right for the title role. There was enough drama and her voice hit all the right notes. Vissi d'arte was sensitively sung. Vittorio Grigòlo was his usual heroic self - at times his singing was a little shouty and lacking in finess. His fans loved him. Bless. Bryn Terfel brought Scarpia to live effortlessly. Unlike the other two leads, he was very much at ease with the role, with nothing to prove, and it was enjoyable to get absorbed into his character.
Alexander Joel's took a more symphonic approach to Puccini's score. There were movments when that approach worked with the drama. But there were times when the singers were being held for too long - thus losing the dramatic tension intended. Was this imposition on the singers necessary?
A more than adequate performance.
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