The stars of this Prom were Stephen Hough and Queen Victoria's own richly gilded piano made by Érard (1856). Hough played Mendelssohn's piano concerto no 1 with poise and pace. The Orchestra of the Age of Enlightenment under Ádám Fischer provided well balanced accompaniment. Though one could hear Hough was battling with an instrument that lacked a resonant upper register. The Érard sounded like a large fortepiano with good middle and lower register voice, but to modern ears that are used to Steinway Model Ds it sounded somewhat dull. The encore (Chopin Nocturne No 2 in E Flat) suited the keyboard much more - with a mellow sound one could imagine a musical soireé in a drawing room at Buckingham Palace. An interesting concert, memorable for different reasons.
I quite forgot the first number in Porgy and Bess is Summertime! Beautifully sung by Nicole Cabell as Bess. On a whole, the chorus number was better sung than the solo numbers - where the diction was generally inadequate. The set (Michael Yeargan) was three-dimensional and worked really well with the many scenes in this work. John Wilson was in his elements in the pit and the orchestra responded with a rhythmic boisterous sound - the best part of the evening.