Vaughan Williams, Hugh and Elgar, BBC Proms

Vaughan Williams's Fantasia on a Theme by Thomas Tallis was neatly played, though the placement of the small orchestra at the back of the main band meant it came out as one wash of sound: couldn't they have put small orchestra in the middle of the Arena? That would have made an interesting musical experience.

Hugh Wood's Scenes from Comus was tightly played. Andrew Davis brought out the contrast between Wood's Viennese colours and the almost tonal world of early 20th Century. One could hear what was to come later in subsequent decades. This was the highligh of the concert.

Elgar's The Music Makers was in the second half. Dame Connolly's effort was noted, and the general ensemble of the choir and orchestra under Andrew Davis was fine. BUT I had a real issue with the work - it's Edwardian remix - the best of Elgar cobbled together for some much needed cash. The text, though well chosen, was fitted into a bunch of recycled tunes. It just sounded ever so dull. Well, the audience enjoyed it.

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Porgy and Bess, English National Opera

I quite forgot the first number in Porgy and Bess is Summertime! Beautifully sung by Nicole Cabell as Bess. On a whole, the chorus number was better sung than the solo numbers - where the diction was generally inadequate. The set (Michael Yeargan) was three-dimensional and worked really well with the many scenes in this work. John Wilson was in his elements in the pit and the orchestra responded with a rhythmic boisterous sound - the best part of the evening.

Les Huguenots, Opéra Bastille

I don't know why so few Meyerbeer operas are staged in London. In order to see his grandest grand opera, I traveled to Paris to see Les Huguenots staged at Opéra Bastille.

The star of the show was Lisette Oropesa who sang Marguerite de Valois - she got the warm yet regal tone for the role, her delivery of the emotions was fantastic. Yosep Kang, a late replacement for Bryan Hymel, was passable. His rendition of Raoul de Nangis could do with a few more rehearsals. And his voice strained a little at the higher register (there was one gasp in the audience when we all thought he was going to crack!) His love interest Valentine, sung by Ermonela Jaho, was good - a more youthful if pensive voice.

The male chorus was a little agricultural in act 1 - untidy and lacking in focus. Luckily, the men were saved by the women (again) when the ladies of the court sang lusciously while frolicking along a real stream.

Where was the BALLET???

The set design had modern lines and shades - a Parisien c…

Hagen Quartet, Wigmore Hall

Yes, the legendary Hagen Quartet playing at the Wigmore Hall.

The Schubert String Quartet in G minor sounded rough, with problematic intonation from the first violin. The whole piece sounded like a play through. Not a good start. The playing of the Webern pieces (Five Movements / Six Bagatelles) could not be more different. They got through the grittiness and bleakness of these concise pieces with precision and poise.

The second half of the concert was Haydn String Quartet in Bb (Op 55 N 3). The playing was warm, coherent with the kind of interplay between the quartet members that one would expect. Good tempi choice. This warmth was naturally conveyed through brilliant acoustic of the hall.

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