It's such a short hop from London (just over an hour by plane) to Art Basel where I saw, a very high concentration of contemporary art galleries, works and displays. Since it's a trade show, you can actually buy stuff from the exhibitors. I was very drawn towards the Fontana and Manzoni works (it seems all established Italian contemporary art dealers must have at least one for sale). Of course, if I had the money, I would have picked up a few dozen pieces ... alas ... may be by December 06 in Miami

Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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