The latest Nobu restaurant is a surprisingly modest affair - not too big, dim lighting and contemporary music. It seems to follow the Nobu Berkeley formula in London where a decent size bar greets diners and no doubt will attract pre- and post- dinner drinkers.
The food? You get most of the Nobu classic dishes - Rock Shrimp Tempura with Ponzu (comparable to New York and London), scallop cerviche (refreshing as ever), and the usual Toban-Yaki and sushi menu. Fortunately there is a few dishes only available at the Hong Kong outfit - we tried the Eggplant Special (why have they not given it a more fancy name) which consists of a juicy roasted eggplant with a minced fish and prawn paste topped with a concoction of chili, garlic and roe (I think).
What was enjoyable? New dishes alongside the tried and tested classics. The eagerness of the staff - no doubt influenced by the newness of the restaurant (three week old) and the presence of the name sake proprietor.
What was not enjoyable? The hype and an overwhelmingly "foreign" clientale - which can easily turn it into a Disney-esque attraction in Hong Kong.
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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