Bermondsey is between Tower Bridge and London Bridge on the south side of the river. It has always been an interesting area - the variety of restaurants, galleries and museums attest to that. A friend dragged me to an eatery on a Sunday evening - Village East - where we had a delightful dinner.
There is a homely unpretentious feel to the place. A bar fronts the restaurant (a trend that's returning to London after an absence of a decade or so), with dining tables sprawling the irregular space. The menu is Modern British - simple dishes well cooked. I had mackerels on a bed of mash and chopped choriso sausages - very nice. My glass of prosecoe unexpectedly arrived in a wide-mouth champagne glass - the kind you used to see in B&W films!
What was enjoyable? The ambiance, the staff and the unpretentious food. It was a Sunday night and they had run out of a few ingredients - it's nice to know not everything was coming from the deep freezer.
What was not enjoyable? Nothing really.
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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