It's not as good as when it was staged back in 2005. The production still sported three convincingly rampant sailors. But somehow the magic was not there. The rowdy numbers like New York New York and Gabey's Comin' were great, but the whole show just felt a bit flat.
Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.
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