Karita Mattila stared in Fidelio at the Royal Opera's new production (co-produced with the Metropolitan Opera) was fantastic. Mattila has made such an epic transformation from Musetta in La Boheme in the early 90s to the demanding and dramatic role as Fidelio. Beethoven's score is demanding and Pappano ensured the drama moved at a progressive pace. Endrik Wottrich made a convincing Florestan and Eric Halfvarson as a humanistic Rocco. This was backed by an enlarged opera chorus which made the prisoner and final crowd scenes emotive.
This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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