Karita Mattila stared in Fidelio at the Royal Opera's new production (co-produced with the Metropolitan Opera) was fantastic. Mattila has made such an epic transformation from Musetta in La Boheme in the early 90s to the demanding and dramatic role as Fidelio. Beethoven's score is demanding and Pappano ensured the drama moved at a progressive pace. Endrik Wottrich made a convincing Florestan and Eric Halfvarson as a humanistic Rocco. This was backed by an enlarged opera chorus which made the prisoner and final crowd scenes emotive.
I did not think much of the last Eugene Onegin in the 90s - a bit too baren - too literal. The latest production which I saw tonight at the Royal Opera has improved quite a lot. For a start, we had Dmitri Hvorostovksy and Amanda Roocroft singing Onegin and Tatyana respectively - two strong well matched voices that sparked off a reasonable amount of passion between the two! The production was exciting too - with a believably real "river" running on stage. It's not often you get Tatyana jumping into the river and splashing about on stage. Then there was the frozen river with Moscow in the background - there was almost real ice skating on stage just before the Imperial Ball scene. Much fun. Very enjoyable.
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