The composer Luigi Nono took great care in specifying how his Prometeo should be performed by musicians placed in different parts of the performing space. The end result, as those who went to these first UK performances at the Royal Festival Hall discovered , was a spatial experience that defies conventions (that being performers on stage and the audience on the other side) - with various soundscapes swirling above our heads. Diego Masson and Patrick Bailey conducted the various chamber orchestra, singers and actors with much precision.
This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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