Gurrelieder needs to be big and punchy. Esa-Pekka Salonen certainly did that with an enlarged Philharmonia at the Royal Festival Hall. The cast was strong, but the star of the performance was the orchestra which responded to each and every nuance of this at times eclectic piece. The sun rise at the end was particularly good. The "stage direction" of colour lights worked reasonably well. Though the choir could have been at least 50% bigger - it just needed that Mahler 8 choral sound which Philharmonic Voices and the choir of CBSO lacked.
This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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