By and large this production of Gounod Faust was very good. The stage set transferred well from the Metropolitan Opera to the London Coliseum. As expected, Des McAnuff's direction was very good - the scene transitions, the spatial dynamics of the characters and the movements. Toby Spence was great as Faust. Iain Paterson was a strong Mephistopheles - with enough presence and bounce in the character. The oitment in all this was that the chorus kept falling behind and nearly fell apart in the well known Soldiers' Chorus. Edward Gardner was very clear with his beat - so it's really up to the choristers to watch the baton!

I did not think much of the last Eugene Onegin in the 90s - a bit too baren - too literal. The latest production which I saw tonight at the Royal Opera has improved quite a lot. For a start, we had Dmitri Hvorostovksy and Amanda Roocroft singing Onegin and Tatyana respectively - two strong well matched voices that sparked off a reasonable amount of passion between the two! The production was exciting too - with a believably real "river" running on stage. It's not often you get Tatyana jumping into the river and splashing about on stage. Then there was the frozen river with Moscow in the background - there was almost real ice skating on stage just before the Imperial Ball scene. Much fun. Very enjoyable.
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