By and large this production of Gounod Faust was very good. The stage set transferred well from the Metropolitan Opera to the London Coliseum. As expected, Des McAnuff's direction was very good - the scene transitions, the spatial dynamics of the characters and the movements. Toby Spence was great as Faust. Iain Paterson was a strong Mephistopheles - with enough presence and bounce in the character. The oitment in all this was that the chorus kept falling behind and nearly fell apart in the well known Soldiers' Chorus. Edward Gardner was very clear with his beat - so it's really up to the choristers to watch the baton!

This is a revival of Charles Edwards (design) / David McVicar (director) production of Gounod Faust. Visually, it is still exciting to watch with the ever changing stage sets of this fantasy. In this production, Erwin Schrott was Méphistophélès - who had style and poise as this devilish character. Michael Fabiano did a good job at portraying Faust - especially in the first act when he had to start off as an old man before turning into an energetic youngster. Irina Lungu had the right French voice type for Marguerite - somewhat vulnerable with sufficient warmth for the romantic scenes. Dan Ettinger in the pit kept the pace going, and the chorus did magnificently in those big numbers.
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