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Tannhäuser at the Royal Opera

Have I really waited for nearly a quarter of a century to see Tannhäuser? Well, the wait was over last night. Naturally there was a lot of anticipation for this new Royal Opera production in 25 years. So they pulled out all the stops. The opening prelude was spellbindingly good. The solemnity of the opening theme quickly gave way to the playful and sexual thrusts with fluid and athletic choreography (Jasmin Vardimon) on stage - all this went on for nearly 20 minutes before Tannhäuser (Johan Botha) appeared. There was a bit of a giggle in the audience as Mr Botha was larger than the slim male dancers. This quickly gave way to the Venus-Tannhäuser dialogue. Michaela Schuster (as Venus) was very good with a firm yet insistent tone. Herrmann (sung by Christof Fischesser) picked up the dialogue as Venusberg dissolved and replaced by a floating tree!



The mass chorus gave its very best with a great deal of contrast, from the ethereal angel voices to the muscular song contest march. The German diction was impeccable. Johan Botha continued to shine in Act II but now singing opposite Eva-Maria Westbroek as Elizabeth. Her bright and noble tone was just right for the role.

Semyon Bychkov's reading of the score was considered and more elastic than some would expect. The very measured pace towards the end of Act II held everyone's attention. The combined forces responded and reacted to each of his nuanced direction. The set by Michael Levine was subtle - which is about right for an opera with so much drama on stage.

I do hope they will bring Tannhäuser back more regularly. Judging from the audiences' response, the Royal Opera should not have trouble selling tickets.


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