Saw 'A Dog's Heart' about a fortnight ago - and in the mean time life and work got in the way. Looking back, it didn't feel like an opera - more like a theatre piece with some intriguing music. It was very good theatre too. The puppetry was great representing the dog before the anthropomorphism. There was humour (blood gushing out during the ops) and good choreography. I think it's a work that's worth seeing but would be pretty hard work just listening.
This was the first revival of George Benjamin's Written On Skin. As with contemporary operas, familiarity goes a long way in appreciating the work. In this revival, I found Christopher Purves's The Protector powerful and moving. Barbara Hannigan, who sang Agnès, was superb. The pure and slightly eerie tone of Iestyn Davies as The Boy completed the perfect cast.
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