The cast for this revival of the 2008 production of Salome was substantially different from the original production. Angela Denoke's stage and voice presence was perfect for the role. She delivered the complex part while rising above the thick orchestration effortlessly. Gerhard Siegel was equally good as Herod - strong voice and good acting skills. David McVicar's direction continued to make this arresting opera intense and gripping. It's also good to see more of Naaman this time.
Those of us London-centric folks easily forget there are great concert halls in other parts of the world. I remember as a young kid buying DG LPs with von Karajan on the front cover conducting the Berlin Philharmonic. So as my first visit to the city, a visit to the Philharmonie to listen to the Berlin Philharmonic Orchestra was a must. Ivan Fisher started the evening's concert with Haydn Symphony 88. A light and delightful work. As I'd expected, the acoustic of the hall was amazing - probably a good 2.5 second of reverberation - and much more generous than the Royal Festival Hall in London. The strings sounded sweet and the timpani came through clearly with definition. The audience was then treated to Béla Bartók's Seven Pieces for Choir and Chamber Orchestra: the Berlin Phil reduced in size occupying only half of the stage while the Netherlands Youth Choir took the other half. These young performers (all female) sang in Hungarian from memory - not easy at all - and rea...
Comments
Post a Comment