Skip to main content

An intense Tosca at the ENO

The last time I came across Catherine Malfitano was when she sang the title role of Salome at the Royal Opera in 1997. Prior to that I also saw her in that famous "on location on time" production of Tosca. I had no idea she started directing operas. So it was interesting to see the latest production of Tosca at the English National Opera directed by her.







Well, I was not disapp0ointed. Amanda Echalaz was an intense Tosca with a big voice to match. There were lots of detailed movements - ones that added complexity to her character. It was all very believable. Cavaradossi was sung by Julian Gavin - again a big tenor voice with good top notes and tenderness. Scarpia was portrayed by the fine Anthony Michaels-Moore - giving lots of dark colours. Ed Gardner just let the Puccini drama and music unfold. If you like Tosca, go see it. 



Comments

Popular posts from this blog

Joyce DiDonato sings Berlioz at BBC Proms

Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique started this BBC Proms concert with Le corsaire - it was tightly played and a sonorous sound. I wonder whether this was due to the whole orchestra standing up while playing had anything to do with it. It sounded good.

Joyce DiDonato first sang La mort de Cléopâtre - her performance was mesmerising due to her dramatic delivery of text and the wonderful lines. Sir John was ever sensitive to the flow of the music. Dido’s death scene was short, yet no less powerful with DiDonata's breadth of emotions. Some may moan about her over dramatic delivery at the expense of pitch accuracy - but that's just nitpicking.

The second half of the concert was Harold in Italy - a whimsical and eclectic piece that's interesting to listen to - but I wonder whether this should have been played in the 1st half of the concert.

Vanessa at Glyndebourne

Indeed it was a rare opportunity to see Samuel Barber's Vanessa. Keith Warner's direction was super - working in sync with Ashley Martin-Davis's stage design of big mirror cases - to bring this intriguing plot to life. Emma Bell was a pensive and stoic Vanessa, but occasionally out-shown by Virginie Verrez's portrayal of Erika. Jakub Hrůša led the London Philharmonic to deliver this lush Barber sound world.

Porgy and Bess, English National Opera

I quite forgot the first number in Porgy and Bess is Summertime! Beautifully sung by Nicole Cabell as Bess. On a whole, the chorus number was better sung than the solo numbers - where the diction was generally inadequate. The set (Michael Yeargan) was three-dimensional and worked really well with the many scenes in this work. John Wilson was in his elements in the pit and the orchestra responded with a rhythmic boisterous sound - the best part of the evening.