Monsieur Pierre Gagnaire said hello to our table at Pierre at Mandarin Oriental Hong Kong

It was lunch en famille at Pierre today. When we walked in at 12:30 I was the only man: the rest of the restaurant was decorated with ladies-who-lunch. That "man alone" situation was quickly rectified by other business men and my dad arriving just before 13:00.

The lunch menu offered a good variety of dishes. I had the bouillabaise gelly which was rich but just right for this hot climate. My pork loin was topped with peanuts and a jus that was well balanced in taste and texture. The cheese dimsum was a bit strange. The wilted tomatoes and spinach was also tasty. Dessert was old-fashioned marshmallow with a modern twist - pink marshmallows floating on a milky pannacotta with a light strawberry sorbet. Monsieur Gagnaire was en residence and said hello to us (well, actually each and every table).

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Gothenburg Symphony Orchestra, Royal Festival Hall

It was billed as a "Warm Up Event". But I think it was to do with contracts signed prior to the discovery of asbestos at the Royal Festival Hall which added six months to the renovation programme. Gustavo Dudamel conducted the Gothenburg Symphony Orchestra in Strauss Four Last Songs and Mahler 5th. The band made a good sound tough the upper strings were a bit subdue (or was it the Hall?) The Four Last Songs were a bit fast to my liking - and it was only Beim Schlafengehen where I felt the tempo was right. Measha Brueggergosman sang relatively well, though her BIG HAIR was in the way of the sound projection. Mahler 5th was thunderous and supple at the same time - the latter much helped by the strong viola and lower string section. It was exciting and forward but could do with a bit more rubati. Otherwise it was an enjoyable evening out at this much loved venue.

La Voix Humaine, Glyndebourne

Stéphanie d’Oustrac starred in this one act / single cast Poulenc opera. The minimalist stage (Caroline Ginet) consisted of a tilting platform with an old fashioned dial telephone. But that's all it took for the drama to unfold. d’Oustrac was able to draw us into her conversation, expressing the challenging feelings of frustration, anxiety, disappointment and dare we say hope? A superb performance it was.

Bruckner 8, Andris Nelsons and the Leipzig Gewandhaus Orchestra

Bruckner 8 Symphony was a gigantic piece of symphonic writing. What better to hear a mature and thoughtful Andris Nelsons conducting the Leipzig Gewandhaus Orchestra? The slow measured start gave rise to the hallmark relentlessness of the later Bruckner symphonies. Nelsons brought out the rising and falling phrases, and ensured the episodic chunks together form a coherent whole. The scherzo second movement was precise and at pace. Feierlich langsam (3rd movement) was subtle, mournful with a glimmer of light. The masculine sound for the brass section delivered a memorable finale

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