When I first saw this production of La Traviata, it was Angela Gheorghiu as Violetta and Sir Georg Solti in the pit. There had been a few more notable performances since, but none so more than the current run with Renée Fleming as Violetta. Last night she was absolutely sensational - the amazing thing was that she was able to portray such a complex character - from the frivolous and introspective in Act I, to vulnerable and stoic in Act II, through to the hopeless dying Violetta in Act III. That it was all very believable on stage.
Joseph Calleja and Thomas Hampson as Alfredo and Giorgio recpectively added fizz to the drama. Pappano was milking every moment of this Verdi score - without wallowing or sentimentality. This La Traviata will stick in my mind for years to come.
Those of us London-centric folks easily forget there are great concert halls in other parts of the world. I remember as a young kid buying DG LPs with von Karajan on the front cover conducting the Berlin Philharmonic. So as my first visit to the city, a visit to the Philharmonie to listen to the Berlin Philharmonic Orchestra was a must. Ivan Fisher started the evening's concert with Haydn Symphony 88. A light and delightful work. As I'd expected, the acoustic of the hall was amazing - probably a good 2.5 second of reverberation - and much more generous than the Royal Festival Hall in London. The strings sounded sweet and the timpani came through clearly with definition. The audience was then treated to Béla Bartók's Seven Pieces for Choir and Chamber Orchestra: the Berlin Phil reduced in size occupying only half of the stage while the Netherlands Youth Choir took the other half. These young performers (all female) sang in Hungarian from memory - not easy at all - and rea...
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