Skip to main content

Jean Georges, Shanghai

It's unlike me to eat global rather than local in fascinating cities such as Shanghai, but it is much talked about and it would be interesting to see what's on offer. Jean Georges is in No. 3 The Bund, which is a building devoted to stylish eating and drinking. The Jean Georges restaurant itself is stylish alright - dark marble set against translucent gold ceilings and sand blasted light fittings. The service was competent without being too fussy. The food - inventive without being "fusion" - the Watermelon Gazpacho was a very nice palate cleanser if you have space for three savoury course. The wine list was a standard fare - good selection but not too adventurous (my fellow dinner objected to his lame Ice Wine.)



What was enjoyable? The view of Pudong was great. The cooking was strong and not adulterated by any Chinese influence (let's hope it will last).
What was not enjoyable? Main course fork was smaller than the main course knife. No plate for petits fours. Smoking.



Labels:

Comments

Post a Comment

Popular posts from this blog

Gothenburg Symphony Orchestra, Royal Festival Hall

It was billed as a "Warm Up Event". But I think it was to do with contracts signed prior to the discovery of asbestos at the Royal Festival Hall which added six months to the renovation programme. Gustavo Dudamel conducted the Gothenburg Symphony Orchestra in Strauss Four Last Songs and Mahler 5th. The band made a good sound tough the upper strings were a bit subdue (or was it the Hall?) The Four Last Songs were a bit fast to my liking - and it was only Beim Schlafengehen where I felt the tempo was right. Measha Brueggergosman sang relatively well, though her BIG HAIR was in the way of the sound projection. Mahler 5th was thunderous and supple at the same time - the latter much helped by the strong viola and lower string section. It was exciting and forward but could do with a bit more rubati. Otherwise it was an enjoyable evening out at this much loved venue.
Post a Comment
Read more

La Voix Humaine, Glyndebourne

Stéphanie d’Oustrac starred in this one act / single cast Poulenc opera. The minimalist stage (Caroline Ginet) consisted of a tilting platform with an old fashioned dial telephone. But that's all it took for the drama to unfold. d’Oustrac was able to draw us into her conversation, expressing the challenging feelings of frustration, anxiety, disappointment and dare we say hope? A superb performance it was.
Post a Comment
Read more

Bruckner 8, Andris Nelsons and the Leipzig Gewandhaus Orchestra

Bruckner 8 Symphony was a gigantic piece of symphonic writing. What better to hear a mature and thoughtful Andris Nelsons conducting the Leipzig Gewandhaus Orchestra? The slow measured start gave rise to the hallmark relentlessness of the later Bruckner symphonies. Nelsons brought out the rising and falling phrases, and ensured the episodic chunks together form a coherent whole. The scherzo second movement was precise and at pace. Feierlich langsam (3rd movement) was subtle, mournful with a glimmer of light. The masculine sound for the brass section delivered a memorable finale
Post a Comment
Read more