Skip to main content

Restauran Sate R&K, Kuala Lumpur

I love satay / sate - and the best are done by native Malays in Malaysia. So, while passing through Kuala Lumpur on business, I thought I'd indulge myself. Since I have been to Jalan Achar (I think that's the name) lined with street food stalls, I decided to be more adventurous.



Restauran Sate R&K was recommended to me and it's not in a tourist spot - apparently it's one of the best in town. All sounds very good. After a difficult journey (braving the local transport PUTRA - trains, followed by wondering around the streets, followed by a clueless taxi driver), I eventually got to the place. It's essentially a one-dish-restaurant - beef and chicken sates with katoubat (rise cakes steamed in Pandan leaves).



What was enjoyable? The sates of course - succulent and fabulously grilled over a charcoal stove, think peanut sauce and a dedicated eatery. Wash basins for sticky fingers.
What was not enjoyable? A very basic restaurant (not quite on the street), staff don't really speak English.



How to get there? It's on No. 1G Jalan Jelatek 2. Take the train to Setiawangsa - follow the exit sign, then a covered foot path and it should be the first restaurant you see.




Comments

Popular posts from this blog

Dialogues des Carmélites at the Royal Opera

Michael Levine's set design for Dialogues des Carmélites was minimalist. Actually, was there any set design? I suppose the director Robert Carsen was clever at introducing formation of human figures in many different ways to suggest the context of the opera. It kind of worked. Blanche, sung by Sally Matthews, was pretty good. Though I did find the whole work quite tedious - I think the intimate nature of the dialogues needed a small and intimate performing space i.e. not the Royal Opera House. The ending was worth waiting for. Dramatic. Poignant.

Xuan Spa, Park Hyatt Saigon

After a long day on my feet travelling from frantic Bangkok to Saigon, I very much looked forward to a relaxing massage before going to bed. The Xuan Spa was a very pleasant surprise. The staff was very friendly and the atmosphere of the spa was tranquil - a world away from the screaming mopeds on the streets outside. The therapy room was big, with an en suite shower and lovely foot bath. The massage was good - classical Swedish - and at a leisurely pace. Subsequently I had a very good night's sleep.

Strauss Four Last Songs and Sibelius 5 - Singapore Symphony

The evening concert started with the overture of Lohengrin. Jukka-Pekka Saraste took a poised temple and the strings of Singapore Symphony rose to the ocassion to provide that mythical sound. This probbaly was intedned to set the mood for the Four Last Songs - I guessed. Evelina Dobračeva was the star soprano. Frühling got off to a sure, if a little safe start. The best was probably Beim Schlafengehen, sung with great stillness. September and Im Abendrot felt unblanaced - Dobračeva's subtle words were somehow lost among the swell of orchestral sound. This was followed by Morgen - probbaly the best song of the evening, perhaps the very light orchestration helped. Jukka-Pekka Saraste and SSO were on surer footing with Sibelius 5. The first movement was brisk with lightness and details. The second and last movements felt cohesive, leading to the well known tune in the finale. If only there were more people in the concert hall to enjoy the music.